Showing posts with label Short Stories. Show all posts
Showing posts with label Short Stories. Show all posts

Monday, February 25, 2008

Back to Basics: Writing Creative Stories

Here's a good look at the bare bones of story writing:

Writing Stories
by: Simone Mary

There's nothing like writing a story. It is a truly satisfying creative process. In order to write a story that people will enjoy. You need to understand the key elements that all good writers use in stories. In this article we will explore these elements.

1. Brainstorming

Ask yourself these questions:

What are you are going to write about? Who will be your audience? How much do you know about what you want to write about? What do I need to find out?

2. Write from a Specific Point of View

First person: "I"

Second person: "You" (rarely used)

Third person: "She/He" (Used the majority of time but in a "limited" way) Limited simply means that the story is told through the eyes of one particular character.

3. Starting Your Story

Your story should begin in such a way that it grabs the readers attention and never lets them go, some ways to begin are: Sound Effects, for example: Splash! Pop! Another way to begin is with dialogue, that is, two or more characters having a conversation. Using action is also another way to start. Whatever you choose, you must do it in a way that draws the reader in from the very beginning, if you fail to do this then no matter how good your story gets down the road it will be pointless as you have already lost your audience.

4. Setting

Place your characters in a setting. This is where you are to use descriptive words that let your readers see, hear and even smell the setting. The setting establishes the time and place in which the story takes place. Give your readers a snapshot view of the environment so that they can see it in their mind's eye and feel as if they are really there.

5. Characters

Characters are part of the life blood of fiction. Here are some of the types of characters you may want to create.

Main Character (Protagonist): All the action revolves around this person.

Villain (Antagonist): This person or persons oppose the main character at every turn. Villains can also become allies of the main character down the road. People change in real life as well as in stories.

Friends (Sidekicks): This person or persons helps the main character.

6. Conflict

Good conflict allows your readers to become even more involved in the plot. Conflict can arise within the characters, with other people or even with nature. The needs of characters are what drives them into action. Conflict is created when obstacles are put in the way of the characters. Here are some types of conflict that can arise in a story:

The main character vs. others

The main character vs. his /her own inner self

The main character vs. situations he/she faces in life

The main character vs. society

7. Dialogue

Finally lets take a look at the purpose and use of dialogue. Dialogue is used in conversation between your characters. The characters may also have dialogue with themselves. Good dialogue tells the reader something about the characters state of mind or personality. Dialogue should be surrounded by action and move the story along. So make every conversation count!


About The Author

Simone Mary is a teacher, writer and artist. She is the author of the eBook WRITING A STORY? WHAT EVERY WRITER SHOULD KNOW, for more writing strategies and for a free copy of the eBook GET ON THE HONOR ROLL-TEST AND EXAM TAKING TIPS THAT WORK visit http://www.thereadingandwritingshop.com

Friday, January 04, 2008

Creative Writing: The Art of the Short Story

The Long And The Short Of The Short Story
by: Suzanne Harrison

Congratulations! You’ve spotted a great short story competition and decided to enter. You’ve had a go at a few short stories in the past and you’ve been wanting to tackle a novel for ages, but the idea was way too daunting so you’ve just shoved that to the bottom of your life’s “To Do” list. A short story is a much better idea, isn’t it? It’s just like writing a novel only shorter. Right?

Not exactly!

It’s been said that it’s not that a short story is long, it’s that it takes a long time to make it short. The idea that a short story is just a mini novel is an idea that will mean certain death to the success of your short story, before you’ve even written the first sentence.

There is an art, and a process to writing a short story, just like there’s an art and a process to writing a novel, a non-fiction book or an essay. Success is a matter of knowing the basic principles, and then applying these to write the best short story you’re capable of.

The question is, do you have the stamina to make your story short?

That question is easily answered by walking step by step through the writing process.

1. Planning

No matter what you are writing, you need to have a plan. Would you attempt to build a house without plans? Or would you set sail on the high seas without a map and compass? Writing stories is exactly the same. Set out without a plan and you will undoubtedly become lost in a forest of your own words.

Some simple questions to ask yourself at this early stage include:

* Who is your main character and what is their predicament?
* What do they want? How can they get out of their predicament?
* Who or what is stopping them getting what they want?
* How can you apply pressure to your character to force them into making tough choices in pursuit of their goal?
* What will your character learn over the course of the story?

Beginning by answering these few questions will help you know who your character is, what they want, and how they are going to go about getting it.

2. Writing

Once you have a plan for your story you are ready to write it. When you are writing, you are just writing. You are not editing and you are not planning, You are writing. This specifically means that you don’t stop to wonder if “this way sounds better than that way”. When you are writing you are capturing the essence of the action in your story. You are writing a draft, not a finished product. At this stage don’t even think about your word limit. Just write the entire story as you have planned it. We’ll take care of the word limit in the editing and rewriting stages.

The writing stage is similar to mining a diamond. When a diamond is mined it is a chunk of rock, with a few glittering pieces to show it is actually a diamond. You don’t mine a beautifully cut and polished diamond from the side of a mountain, do you? No, you have an amazing piece of raw material, which you then take to a jeweler who will cut and polish it to show its beauty to its greatest advantage. In the writing process, the jeweler is the editor.

3. Rewriting

Once you have completed the first draft, the very best thing you can do is walk away. It can be difficult to get any distance from your own work, but it is virtually impossible if you try to plan, write, rewrite and edit your story in one sitting. If possible don’t look at it again for at least another day. This allows your story time to rest and “breathe”, and when you return to it you will see it in a fresh light.

When you are ready, re-read it straight through once without stopping, and without making any changes or marks in the margins. Once you’ve finished the first read, ask yourself one question: did I write the story that I set out to write? If the answer is no, don’t panic. It’s amazing how the real story you are meant to write comes out in the writing. At this stage your main focus is to ensure that the intention of the story equals the result. In other words, the story has to make sense, and must flow from beginning to end, with all questions raised at the beginning being answered by the end. It is quite common to do comprehensive rewrites of the first few scenes, as the story you really wanted to write didn’t surface until after you’d really got cracking. That’s ok. Just go back and rewrite any scenes you need to, to make the story flow from beginning to end.

Some other important questions to ask at this stage are:

* Are there any great leaps in time or place? It is generally best to keep these leaps to a minimum in a short story.

* How many characters do you have? It’s never a great idea to have more than three major characters at the most, and I’ve read great short stories where there is only one. Save the huge cast for your novel.

* Does the story continually move forward? It’s very easy to have two or maybe even three scenes showing the same thing about your character. A scene is a unit of change – if a scene doesn’t move the story forward, it needs to be cut or rewritten.

So rewriting is re-seeing and re-sculpting. The main purpose of this stage of the process is to make sure the story makes sense. There is a logic to story, and if there are any great leaps in time or place, you may need to add some small linking phrases. Once you are happy that the story flows in sequence you are ready to move to the final phase: editing.

4. Editing

You now need to step entirely out of your creative right brain and into your logical and analytical left brain, to refine and polish your story.

Firstly, look at your word count. Are you way over, way under, or pretty close to the mark? Never submit a story that is over the word limit. Respect the requirements of the competition and keep within the word limit.

Now read your story again, this time with your red marker in hand and a critical eye on the page. Some questions you need to ask at this stage are:

* When does the action begin? This is where your story begins. It’s tempting to “set the scene” and “show character” but the reality is, you don’t need to. The story always begins where the action begins. If there is anything that needs to be explained you haven’t written your action properly.

* Is all the action on the “spine” of the story? Edit out any superfluous material. Again, save it for your novel.

* Show don’t tell. This means, don’t tell us about someone, show us their character by putting them into difficult situations and let us discern their character by the choices they make.

* Edit out all explanation. As a general rule, ask yourself, “is it an image?” If it’s not it’s probably explanation and needs to be cut.

* Is there a “solution” to the story? Does the story deliver what it promised?

* Now is the time to ask, “is this the best way to say this?” If not, write it again, and say it better.

You may find yourself rewriting, editing, rewriting, editing over and over. This is completely normal! Most good short story authors do at least 15 drafts of their short stories before they are happy with the result.

So, you’ve made it through the process and you’re ready to send your story off to the competition. Make sure you double space it, that the font size is big enough to read easily and that you’ve put enough postage on the envelope!

And good luck!

About The Author

Suzanne Harrison is the Director of Writers Central, which offers online creative writing, short story, novel and screenplay courses, plus a vibrant community forum where members share news, reviews and tips, enter competitions and receive 24/7 feedback on their work. http://www.writercentral.com.au